a cinematografia de Edward Lachman (2)
Vou agora para a cinemateca da BAM-Brooklyn para assistir, daqui a uma hora, a uma onstage conversation com Edward Lachman. Pelo sim, pelo não, preparei a minha pergunta relacionada com um post anterior:
Geoff Dyer pointed out in his essay 'The Outgoing Moment' that the influence of the photographic works of William Eggleston and Stephen Shore motivated some directors such as David Lynch in 'Blue Velvet' or Gus van Sant in 'Elephant'. Watching 'The Virgin Suicides' seemed to me that this influence is even more eminent in your approach as a cinematographer. Can you please elaborate on their influence, (if any), in your work for that specific film? Thank you.
Depois, quando tiver tempo, hei-de para aqui transcrever a resposta. 1) se tiver oportunidade de fazer a pergunta; 2) se tendo a oportunidade de fazer a pergunta Lachman me responda; e 3) se tendo a oportunidade de fazer a pergunta Lachman me responda alguma coisa de jeito.
Geoff Dyer pointed out in his essay 'The Outgoing Moment' that the influence of the photographic works of William Eggleston and Stephen Shore motivated some directors such as David Lynch in 'Blue Velvet' or Gus van Sant in 'Elephant'. Watching 'The Virgin Suicides' seemed to me that this influence is even more eminent in your approach as a cinematographer. Can you please elaborate on their influence, (if any), in your work for that specific film? Thank you.
Depois, quando tiver tempo, hei-de para aqui transcrever a resposta. 1) se tiver oportunidade de fazer a pergunta; 2) se tendo a oportunidade de fazer a pergunta Lachman me responda; e 3) se tendo a oportunidade de fazer a pergunta Lachman me responda alguma coisa de jeito.
às
20:16
<< Página inicial